If you’re not used to it, color grading dark skin tones can prove to be quite the challenge. Gabrielle is known for such works as Grave Digger, Denis, The Incursion, The Lightning Bird, and Going Down.
Now, Gabrielle works on narrative and commercial projects as a director, cinematographer, and colorist. Two years later, she launched into documentary work and further cemented her knowledge of the medium. So, Gabrielle taught herself cinematography by reading forums, watching videos, and purchased her first camera, a DSLR T3. The visuals always appealed to Gabrielle and her father, being a dedicated amateur photographer, gave her a solid reference of composition. Instead, agents and clients were more interested in a visionary cinematographer. When Gabrielle returned to Jamaica, her goal was to work as a director-that is until she realized that the director isn’t a priority in Jamaica. She went to school in Jamaica and then received her master’s degree in New Zealand. A natural-born storyteller, she would write and direct plays and put on productions for friends and family. Gabrielle grew up in Jamaica where she realized from a young age that she wanted to pursue a creative career. These LUTs are ideal for matching black and brown skin tones accurately, especially if you’re not used to doing it.īehind-the-scenes with Gabrielle Blackwood What began as a labor of love and a curiosity blossomed into a rich and effective LUT set. Gabrielle’s goal is for filmmakers to have LUTs that they can use as a launchpad. And so that’s where that idea came from.” Use LUTs as a Starting Point So literally, you just slap it on and boom, you’re done. And I thought I wish we had shades for every skin tone. And when I kept trying to match what was my skin tone, I was just like, this reminds me of color grading so much. So I started YouTubing these videos, and then also going on their websites, and they had like 10 million shades of one skin tone. So you know, there’s Rihanna’s and Salina’s thing, and then I was like okay, well, let me see what’s the difference. But then, I started hearing about Rare Beauty. “I’m not a makeup person so I started to watch all of these tutorials,” says Gabrielle. ‘Kendal’ proof of concept by Gabrielle Blackwood Tawny complements light brown skin tones with red mid-tones. Dark Syrupĭark Syrup blends de-saturated dark skin tones with red mid-tones. Let’s take a look at the differences between the skin tones.ĭark Pecan I & II are rich in dark brown skin tones with yellow mid-tones. Although currently swamped writing a feature narrative, shooting, and coloring projects, luckily Gabrielle alluded to adapting her LUTs for other systems in the future. The LUT pack originally debuted for 2021 Black History Month!Ĭurrently, Gabrielle’s GB LUTs are designed specifically for Blackmagic Design RAW, Colour Science: Gen 4, Output Color Space: REC 709/ Gamma 2.4. Gabrielle’s mastery of dark skin tones, and the nuance between shades, is so sought after, that she developed a pack of 4 separate skin tones: Dark Pecan I & II, Dark Syrup, and Tawny. In addition to working as a director and cinematographer, Gabrielle Blackwood is also a seasoned colorist. She’s quick to advise, “LUTs are guides, don’t just slap them on. Gabrielle likes to think of LUTs as post-production makeup. To learn more about Gabrielle and how she devised her personally designed LUTs, keep reading.
#Free cinematic lut for free
Good news! Gabrielle made her GB LUT pack available for free over at her website. That’s why when we discovered the dark skin tone LUTs created by filmmaker Gabrielle Blackwood, we were beyond impressed. This is beneficial for not only a quick color grade but also a great jumping-off point for your own color grade. LUTs, an acronym for Look Up Tables, are a quick and easy way to get a cinematic look.
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